This album is above all a superb tribute to the charango, the guitar of the peasants of the Andean Cordillera, culture and instrument of Jaime Torres since he was five years old. Moreover, Minino, who generally hits hard, has been able to make his tools (cajón, bombo) more discreet to leave the king's part to Torres, to Malik's flute (Mezzadri), to Beytelmann's keyboard in pieces that begin often intimate then become more convivial, like Si tu me olvidas (taken up in chorus like a national anthem when Jaime played it in Bolivia), in La Puñalada, Uruguayan milonga with African roots, ancestor of tango.
The Cochabambinita, despite its brevity, and the traditional Altiplano remain strong moments of the disc which often attempts fusions of Andean folk and jazz, not always convincing like Pilote, Manuela or Titicaca, signed by Malik, follower of the blue note, who got us used to better. We prefer our flute on Zumba than zumba, a moving joropo from the Venezuelan plains, more sober then hair-raising, with its Arabic accents; Spain obliges. Jazz succeeds better in the remorse of Nostalgias tucumanas, a zamba with Peruvian origins, immortalized by the great Atahualpa Yupanqui (1908-1992) whose blues hovers over this abundant record.•David Marif | akhaba.com
cena 58,00 zł
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