A first, long improvisation called “First Choice.” For twenty minutes, Irène Schweizer unwound for the evening, arriving, in the course of this long-distance run, at one of the wild African dances her audience loves so much. With the ambitious second improvisation, “Into the Hall of Fame,” Irène made her definitive entrance into that hall, and as the audience did not care about the usual KKL coolness and communicated its appreciation to the artist on the stage, the distance between them was soon overcome. Irène addicts knew the tender “Ballad of the Sad Café” from previous concerts and her CD “Piano Solo I.”(Intakt CD 020). Afterwards, she humorously scratched at the varnish of the luxurious building she was playing in. She would later call this restrained attack “Scratching at the KKL”, in which she rode the piano strings with finger cymbals, felt mallets, and a red Chinese toy drum. Next, “Loneliness of the Long Distance Piano Player” provided an ironic perspective on the inner life of such a pianist, its title based on Alan Sillitoe’s novel “The Loneliness of the Long Distance Runner.” Every solo pianist is alone on stage, but even more alone in the KKL, and an hour of solo playing here means at least a 5000-meter run. She concluded with homages to her piano favorite Thelonious Monk (“Oska T.”) and to Don Cherry (“Jungle Beats II”). The “II,” by the way, makes clear that Irène is not only a free improviser but also a prolific composer in her own right – of compositions that are new and different every time. No encores – the audience could clamor as much as it liked; that was enough.
cena 68,00 zł
lubProdukt na zamówienie
Wysyłka ustalana indywidualnie.
Darmowa wysyłka dla zamówień powyżej 300 zł!
Darmowy kurier dla zamówień powyżej 500 zł!
sprawdź koszty wysyłki