"English 16th and 17th century music found its inspiration as well as its vitality in folklore. Dowland's melancholy or Tobias Hume's rustic fantasy are two of its aspects; however, we could also add the courtly delicacy of one of Robinson's lullabies, or the somewhat drunken cheerfulness of the soldiers in Purcell's King Arthur. "Contrasting feelings and situations that show the musical plurality of the Old Albion."
Works:
Miniaturas Musicales En La Inglaterra De Shakespeare
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Solomon Eccles: Division To A Ground C
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Thomas Robinson: Plaine Song
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Thomas Ford: Why Not Here, M. Crosse His Choice
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John Dowland: My Lord Willoughby's Welcome Home
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Christopher Simpson: Divisions Upon A Ground En The Division Viol
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John Dowland: Come, Heavy Sleep
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John Dowland: Lady Layton's Almaine
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Anonymous: Barrow Forster's Dreame en Ballet lyra-viol book
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Thomas Robinson: The Queen's Goodnight
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Philip Rosseter: Whether Men Do Laugh Or Weep
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John Dowland: Solus Cum Sola
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Anthony Poole: Divisions On The Polewheele's Ground
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Vittorio Ghielmi: Little Dew, Little Light
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Tobias Hume: The New Cut
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John Dowland: Queen Elizabeth's Galliard
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Anonymous: The Duke Of Norfolk, Division On A Ground En The Division Violin
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Thomas Ford: Cate Of Bardy
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John Dowland: My Lord Chamberlain, His Galliard
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Christopher Simpson: Divisions Upon A Ground En The Division Viol
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Luca Pianca: The Devil's Dream
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Thomas Robinson: Fantasy
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William Byrd: Come, Pretty Babe
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Tobias Hume: A Souldier Galliard
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Henry Purcell: Your Hay, It's Mow'd En King Arthur