Carlos Chávez is one of Mexico’s most important and prolific 20th-century composers. He championed the symphony form at a time when it was generally neglected by other Latin American composers, and the results are magnificent: when his first symphony Sinfonía de Antígona was premiered in 1933, invoking the best of Mexican tradition in a revived symphonic form, it received a rapturous reception, and led to a burst of inspiration for Chávez, who went on to compose five more symphonies before his death in 1978. He became a master of the symphony, developing and improving his style over the course of his life to great effect; the last movement of his Symphony No.6, a breathtakingly rapid Passacaglia, contains an astonishing 34 variations. This recording also includes his work Sinfonía india, arguably Chávez’s best-known piece, which features his use of indigenous Mexican instruments, played here with extraordinary lyricism and sensitivity.
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