In the field of choral music Tchaikovsky is known as the first Russian composer to have composed cycles of the Liturgy and the Vespers, but his considerable output of secular choral music is less well-known, and a delightful surprise. These secular choruses are little jewels, written for various types of choir, with all the familiar qualities of melody and rich harmony that we associate with Tchaikovsky. Some, including Autumn, Child’s Song and A Legend (from 16 Children’s Songs Op.54), and the pastoral Dawn were written for solo voice or duet, and Night, a vocal quartet with piano, but Tchaikovsky soon realised that they sounded better as choruses. Autumn and Child’s Song both have a tenor solo, and contrast well with each other: a misty autumnal poem of lethargic melancholy and a comical, playful little ditty. Another highlight is the melancholy Old French Air, with its timeless charm, which also appears as a minstrel’s song in Tchaikovsky’s opera The Maid of Orléans. Other works of note include the radiant Nature and Love, a sentimental trio for soprano, mezzo and contralto, three-part female chorus and piano, and the meditative nocturne Before Sleep, composed in his student years. Greeting to Anton Rubinstein is an extraordinary seven part piece written for the 50th anniversary of Rubinstein’s career.
Works:
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Tchaikovsky: A golden cloud slumbered
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Tchaikovsky: Blessed is he who smiles
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Tchaikovsky: Child’s Song
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Tchaikovsky: Children's Songs, Op. 54
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Tchaikovsky: Dawn
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Tchaikovsky: Duets (6), Op. 46
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Tchaikovsky: Evening, Op. 27, No. 4
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Tchaikovsky: Hymn to Cyril and Methodius
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Tchaikovsky: Legend, Op. 54, No. 5
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Tchaikovsky: Much too soon in the season
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Tchaikovsky: Na son gryadushchiy (Before sleep), Op. 27 No. 1
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Tchaikovsky: Neapolitanisches Tanzlied
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Tchaikovsky: Noch' (Night), Op. 60 No. 9
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Tchaikovsky: Old French Air
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Tchaikovsky: Priroda i lyubov'
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Tchaikovsky: Serenade for Nikolai Rubinstein's name-day
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Tchaikovsky: The Cuckoo, Op. 54 No. 8
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Tchaikovsky: The Nightingale Op. 60 No. 4
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Tchaikovsky: The Seasons, Op. 37b: October ('Autumn Song')
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Tchaikovsky: Why does the sound of the revels grow silent?