Nakład wyprzedany, ostatni egzemplarz
"The most justice is done to Beethoven's music by an interpretation that combines rigor with freedom. Rigor means respect for the score, use of the instruments prescribed by the composer, recourse to the obviousness of his time: pitch of voice, playing technique, orchestral balance, implementation of the required tempi, etc. Freedom is the right to be a man of the present, to use all available means and knowledge in a measured way, and to pass the whole on in a contemporary act of communication." Jos van
[van Immerseel's] progress from the Baroque via the classical to the early Romantic eras is evident in these elegant performances, which are more for the historical purist than the full-on romanticist. The tempi are measured, the playing delicate, painting a portrait more of Beethoven the master craftsman than the fiery visionary." • The Observer, 20th April 2008
Works:
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Beethoven: Consecration of the House Overture, Op. 124
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Beethoven: Coriolan Overture, Op. 62
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Beethoven: Egmont Overture, Op. 84
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Beethoven: Symphonies Nos. 1-9
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Beethoven: Symphony No. 1 in C major, Op. 21
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Beethoven: Symphony No. 2 in D major, Op. 36
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Beethoven: Symphony No. 3 in E flat major, Op. 55 'Eroica'
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Beethoven: Symphony No. 4 in B flat major, Op. 60
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Beethoven: Symphony No. 5 in C minor, Op. 67
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Beethoven: Symphony No. 6 in F major, Op. 68 'Pastoral'
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Beethoven: Symphony No. 7 in A major, Op. 92
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Beethoven: Symphony No. 8 in F major, Op. 93
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Beethoven: Symphony No. 9 in D minor, Op. 125 'Choral'
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Beethoven: The Creatures of Prometheus Overture, Op. 43
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Beethoven: The Ruins of Athens Overture, Op. 113
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Beethoven: Turkish March (from The Ruins of Athens)