Gatti’s approach also works extremely well in the second movement, which really is played “in the manner of a song”–a truly human pace that allows the melodies to sing as if they had words. It’s just beautiful. There’s plenty of virtuosity from the strings in the scherzo, and the finale is extremely exciting, with plenty of the necessary rhythmic acuity from the strings and woodwinds in their exchanges leading up the various appearances of the big tune. The playing of the Royal Philharmonic is very fine: they give Gatti 100 percent, both in the symphony and in the Capriccio Italien, which is every bit as fresh and exciting. Gatti whips the final tarantella up to a fine froth, but the excitement always makes sense and never becomes vulgar on the one hand, or simply efficient and generic on the other. In short, these performances have real personality. Harmonia Mundi’s sonics are just perfect: as warm and natural as anyone could ask." • Classicstoday 27-9-2005
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